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FROM INTERNET TO AI
Digital TransitionsThe transition from the pre-Internet era to the Internet age and, subsequently, to the realm of Artificial Intelligence (AI) has ushered in a seismic shift in the art world. In the pre-Internet era, art was largely confined to physical galleries and museums, with access restricted to those who could physically visit these spaces. The advent of the Internet democratized art, liberating it from these physical constraints and making it accessible to a global audience. Artists could now reach viewers across the world, and this transformation had profound implications for the way art was created, shared, and experienced. The Internet provided a vast virtual canvas where artists experimented with new media.Progressing from the Internet to virtual worlds marked yet another significant leap in artistic evolution. Virtual reality and online platforms allowed artists to construct immersive and often fantastical 3D environments. In these digital realms, viewers weren't merely spectators; they became active participants, co-creating art and experiences. Virtual worlds became experimental spaces that challenged conventional notions of artistic presentation, enabling artists to design interactive landscapes, effectively bridging the physical and digital realms. This transition further broadened the horizons of artistic expression by introducing an entirely new dimension of interactivity and immersion.The transition from the Internet to Artificial Intelligence (AI) represents a profound evolution in the world of art, the very nature of artistic creation is undergoing a radical transformation. AI, with its capacity to generate, interpret, and enhance art, is not just a tool for artists but a collaborator. It challenges our understanding of authorship and creativity, blurring the lines between human and machine.The fusion of art and AI is a dialogue between the human and the algorithmic, a dance of creativity and computation. It opens up new frontiers in art, enabling artists to explore uncharted territories, create works that were once unimaginable, and challenge conventional notions of aesthetics. AI doesn't replace human artists; rather, it augments their capabilities, offering fresh perspectives, facilitating experimentation, and even inspiring entirely new art forms. As we navigate this shift, the art world must grapple with questions of ethics, originality, and the very essence of what it means to be an artist. The journey from the Internet to AI is a testament to the ever-evolving nature of art and its remarkable ability to adapt to, and be enriched by, the technological advances of our time. AI introduces a transformative partnership between the artist and the machine, fundamentally redefining the creative process. -
Franklin Evans
American, b. 1967One of the first artists to understand the relevance of the internet in its early stages, got inspired by the new identity that search engines could provide about you or any subject. Evans creates acrylic canvases and installations, using and reusing image results. These arcylic microchips compress form and concept.
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Igor Eskinja
Croatian, b. 1975 Eskinja's work into a paradoxical simulation of a three-dimensional reality is achieved through photographs that retain their essence in a two-dimensional format, making them the ultimate embodiment of this concept. While these pieces are fundamentally photographs, the artist meticulously prepares them for viewing on screens, a response to the widespread utilization of digital devices. This transition into the digital realm allows the intricate interplay between dimensions, highlighting the artist's innovative approach to perception and the impact of technology on contemporary art. -
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Federico Luger
Italian - Venezuelan, b. 1979 Federico uses the inverse process, taking from the pixel to the pignment the skins of the video game Fortnite to iconize them in the line of art history. -
NATURE
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Ignazio Moncada
Italian, 1932-2012 Meiterranean Artist with organize abstrations and shapes, -
Diango Hernández
Cuban, b. 1970 “Waves are the language of the sea. A language that can be used for painting, for creating images of a more fluid world, a world without rigidity a liquid world." -
Gian-Martino Cecere
Italian, b. 1990
PARIS ART WEEK: SELECTED WORKS
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